Give the still model one clear path
The frame owns train, rails, carriage count and handmade material; the prompt adds departure, travel and tracking.
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Turn an established visual direction into a controlled short clip with one or two boundary images.
Kling V1.5 does not expose text-to-video in Flux Art. First frame describes what follows, last frame works backward to the arrival, and boundary frames fill motion between two known states.
The frame owns train, rails, carriage count and handmade material; the prompt adds departure, travel and tracking.
The last frame fixes runner, arch and pose; the prompt explains approach, crossing, slowdown and raised arms.
Boat folds and channel stay fixed while the prompt owns current, rotation, tracking and stop.
The input route defines existing visual facts. The prompt should supply motion and change instead of competing with the source.
Describe motion after the image in Standard or Pro.
Work backward from a target ending.
Generate the transition between two known states.
Use it when a reliable still needs foundational single-subject motion, a simple camera move or a clearly defined arrival state.
The image owns person, composition, material and light while the prompt describes subsequent action and camera.
Work backward from the target ending, explaining how subject and camera enter it and align at the finish.
Boundary images fix the states while the prompt owns path, speed, force and continuity.
Use adherence to control prompt strength and negative prompts to exclude new people, structural change or style drift.
Each brief solves one boundary relationship so image and text do not compete.
The first frame owns green toy train, alpine miniature and warm light. Wheels begin slowly; train moves front-right and chimney releases a little white steam by the cabin. Camera tracks at model height. Preserve carriage count, rails, building scale and handmade material.
The last frame owns runner under red arch, raised arms and morning mist. Begin farther behind as he runs steadily, crosses, slows and raises arms; camera pushes slightly and arrives exactly at the frame. Preserve one runner, arch shape and mist light.
The first frame places the paper boat at channel start; the last has it before the bright drain. Water carries it along the curved stone path, it rotates slightly around one leaf and continues; low tracking stops at the final frame. Preserve folds, orientation, channel and wet reflection.
Public official capability detail for Kling 1.5 is limited; Kuaishou's 2025 material records Kling 1.5 Pro among leading third-party image-to-video rankings. To avoid extrapolation, this page follows current Flux Art configuration: first frame supports Standard and Pro, last and boundary frames are Pro only, with adherence and negative prompts.
Create with Kling V1.5Model capabilities are summarized from public Kling AI and Kuaishou materials. Available modes, parameters and pricing follow the current Flux Art workspace.
Published
Kling V1.5 is an image-to-video-only workflow in the current Flux Art integration, supporting first-frame, last-frame and start-and-end-frame control.
No. The current configuration does not expose text-to-video for Kling V1.5.
First-frame image-to-video supports Standard and Pro modes.
Last-frame and start-and-end-frame routes are Pro only.
Yes. Current image-to-video workflows expose prompt-adherence and negative-prompt controls.
Describe only what happens after the image: chronological action, camera, force and protected details.
Work backward from the target image, describing how subject and camera arrive and stop in exact alignment.
Let the two images own the boundary states, while the prompt owns path, speed, physics and continuity between them.
Commercial use depends on current Flux Art and model-provider terms and your rights to prompts and reference media. Check the latest terms before client work.