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Kling V3 Omni

Direct text, frames, images and video references as one 3–15 second audiovisual brief.

Create with Kling V3 Omni
See the multimodal workflow
Video 3.0 Omni

Five starting points, one director brief

Kling V3 Omni is the control-focused branch of the Video 3.0 family. Flux Art exposes text-to-video, first-frame, start-and-end-frame, multimodal-reference and video-editing routes, so the most important decision is what each input is responsible for before motion begins.

3–15 secondsNative audioMulti-shotFrames + referencesVideo editing
Multi-shot beats

Write the event order before the cuts

Review whether shot scale, motion direction and cut timing form clear narrative beats that can be checked separately.

Element consistency

Give the person and object separate reference jobs

Check frame by frame whether the subject, key objects and spatial relationships remain identifiable through motion.

Directed video edit

Change one reviewable layer

Check whether subject, composition and motion continuity remain intact while the requested edit changes.

Input contract

Choose the input contract before motion

The five workflows are not cosmetic entry points; each determines what the media owns and what the prompt must supply.

T2V

Text to video

Start from a complete director brief with automatic or custom multi-shot direction.

FIRST

First-frame video

Let the first frame own subject, space and opening composition while the prompt owns motion.

A → B

Start and end frames

Use two boundary images to define the result and describe only the transition between them.

REF

Multimodal references

Assign up to seven images and one video to people, objects, places or movement roles.

EDIT

Video editing

Constrain changes to a 3–10 second source clip and choose whether its sound remains.

Direction

Where Kling V3 Omni is most useful

Use it when a moving result needs more than a single prompt—particularly when characters, objects, opening and closing frames, existing footage or sound direction must share one controlled brief.

01

Multimodal reference direction

Assign up to seven images and one video distinct jobs such as character, product, place, movement or visual treatment instead of treating every input as general inspiration.

02

Start and end frame control

Use two boundary frames to define where the shot begins and finishes, then write only the action, camera path and continuity needed between them.

03

Multi-shot audiovisual scenes

Structure a 3–15 second brief as visible shot beats and name dialogue, ambience, sound effects or music cues when native audio is enabled.

04

Existing-video transformation

Edit a 3–10 second source clip while deciding whether its original sound should remain, and limit the requested change to a clearly reviewable layer.

Director briefs

Kling V3 Omni director-brief examples

Write the prompt like a compact shooting plan: input responsibilities first, chronological action second, camera and sound third, and preservation limits last.

Text-to-video with multi-shot

Rain-stop multi-shot encounter

6 seconds, three shots. Shot 1: wide view of a rain-slick coastal bus stop at blue hour as a cyclist in a mustard jacket arrives. Shot 2: medium profile as an elderly woman closes a teal umbrella and looks toward the approaching bus. Shot 3: low close-up of the bicycle wheel crossing reflected headlights. Keep the same people, clothing and weather. Natural rain, bicycle chain and distant bus ambience; no dialogue or readable signs.

First frame plus references

Traveler element lock

The start frame owns composition and location. Reference 1 owns the woman's face, bob haircut and rust-orange coat. Reference 2 owns the cobalt suitcase shape. One continuous lateral tracking shot through a ferry terminal; she walks toward the gate and briefly looks at the arriving ferry. Preserve identity, coat and suitcase across the move. Soft terminal ambience and rolling-wheel sound.

Video-to-video editing

Focused product-video edit

Use the uploaded clip for timing, camera movement and product geometry. Change only the gallery lighting: replace the cool wash with one restrained amber sweep moving across the smoked-glass speaker, and add a thin mist layer behind the plinth. Keep the original composition and sound; do not add text, people or extra products.

Production check

How to use Kling V3 Omni in Flux Art

Kling AI's official Video 3.0 guide describes 3.0 Omni as the upgrade path from Video O1 and highlights native audio, element consistency, multi-shot narratives and flexible 3–15 second output. Flux Art's current integration separately exposes Standard, Pro and 4K modes, up to seven image references plus one video reference, and 3–10 second source-video editing.

Create with Kling V3 Omni
  1. Choose the input contractStart from text, a first frame, first and last frames, multimodal references or a source video. Add only the inputs that have a specific responsibility.
  2. Write time, shots and soundDescribe the action in chronological order, separate shot beats, assign dialogue to speakers and name the ambience or sound cue that belongs to each moment.
  3. Set delivery and review continuityChoose Standard, Pro or 4K, set 3–15 seconds where available, then check subject identity, object geometry, camera continuity, text and audio alignment separately.
Source notes

Official sources and page information

Model capabilities are summarized from public Kling AI and Kuaishou materials. Available modes, parameters and pricing follow the current Flux Art workspace.

Published

Compare related multimodal video models

Kling V3 Omni FAQ

What is Kling V3 Omni?

Kling V3 Omni is the control-focused multimodal branch of Kling AI's Video 3.0 family. Kling AI's official guide describes Video 3.0 Omni as the upgrade path from Video O1, combining multimodal references, element consistency, native audio and multi-shot narrative control.

What can Kling V3 Omni do in Flux Art?

Flux Art currently exposes text-to-video, first-frame image-to-video, start-and-end-frame video, multimodal-reference generation and existing-video editing for this model. The visible workspace controls are the current source of truth for available options.

How many reference images and videos can I use?

The current Flux Art multimodal-reference workflow accepts up to seven images and one video. Give every input a distinct responsibility—such as character, product, place, movement or visual treatment—so the prompt does not leave their roles ambiguous.

Does Kling V3 Omni support start and end frames?

Yes. Flux Art provides a start-and-end-frame workflow with two image slots. Use the first image to define the opening composition and the optional second image to define the destination, then describe only the action and camera path between them.

What duration and quality modes are available?

For generation workflows, Flux Art currently exposes flexible durations from 3 to 15 seconds and Standard, Pro or 4K modes. Existing-video editing accepts a 3–10 second source clip. Options can vary by workflow, so check the controls shown after selecting a mode.

Can Kling V3 Omni generate audio?

Yes. The current Flux Art generation workflows expose native audio, and Kling AI's official Video 3.0 guide highlights multilingual dialogue, character-to-line assignment, accents, ambience and effects. Write each speaker, line and sound source explicitly for a reviewable result.

How should I write a multi-shot prompt?

Write chronological shot beats and give each one a framing, subject action and visible ending. Keep character, wardrobe, object and environment details consistent between beats, then attach dialogue, ambience or effects to the moment where they occur.

How does Kling V3 Omni video editing work?

Upload a 3–10 second source clip, decide whether to keep its original sound and describe a limited, testable change. Preserve timing, camera or subject geometry explicitly when those layers must not move, and avoid asking several unrelated transformations in one pass.

What is the difference between Kling V3 and Kling V3 Omni?

Kling AI presents Video 3.0 as the upgrade from Video 2.6 and Video 3.0 Omni as the upgrade from Video O1. In Flux Art, V3 Omni additionally exposes multimodal-reference and video-editing routes, while the standard V3 entry focuses on text, first-frame and start-and-end-frame generation. Use the live workspace for current differences.

Can Kling V3 Omni output be used commercially?

Commercial use depends on the current Flux Art and Kling AI terms and the rights attached to prompts, references, source footage, voices, music, brands and people. Review the latest terms and clear every source asset before client or advertising use.